台灣藝術家與設計師，現居荷蘭安荷芬。清華大學生命科學系學士、輔系資工學系與人文社會學系。英國皇家藝術學院(Royal College of Art)設計互動系(Design Interactions)碩士。主要創作方向為透過藝術方法探索科學與人類社會結合的各種可能性，尋找讓大眾討論建構不同文化與個人觀點元素的基底。最近的研究主題為玩弄可見／不可見、有生命／無生命之間的界線，並尋找探索這個界限的工具與方法。曾得到STARTS Prize 2020年榮譽獎（Hononary Mention）、Ars Electronica 2015年Hybrid Arts類別榮譽獎（Hononary Mention）、2016年BioArt and Design Award、2015年Core 77設計獎Speculative Concepts專業組第二名，並曾於CERN駐村、2017荷蘭阿姆斯特丹藝術基金會3 Package Deal駐村。作品《植物性顧問公司》為斯洛維尼亞建築與設計博物館永久收藏。
Pei-Ying Lin is an artist / designer from Taiwan and currently based in Eindhoven, the Netherlands. She holds MA in design interactions, Royal College of Art, and a BSc in life science, minor in computer science and cultural studies from National Tsing Hua University, Taiwan. Her main focus is on the combination of science and human society through artistic methods, and she is particularly interested in building a common discussion ground for different cultural perspectives regarding elements that construct our individual perceptions of the world. Recently, she has been focusing on manipulating the boundaries between invisible/visible and living/non-living, as well as crafting tools and methods that facilitate such explorations. She won Honorary Mention at 2020 STARTS Prize and Honorary Mention at 2015 Ars Electronica, and has also received recognition from the 2015 Core 77 Awards and 2016 BioArt and Design Award. Her project PSX Consultancy is a permanent collection of Museum of Architecture and Design, Slovenia.
陳儀霏，台灣台北人。工業設計學士與荷蘭恩荷芬設計學院(Design Academy Eindhoven)社會設計碩士(Social Design)。早期由探討大量製造工業產品的意義反思人類甚至萬物與環境的互動關聯，作品以諷刺的手法詰問社會既有認知的必然性，後透過不停的探索與內觀過程，創作主題逐漸由文明發展聚焦至跨文化認同與世代焦慮，呈現藝術家自身與其所處世代，共同的生命經驗。
A Taiwanese artist who is currently located in The Netherlands. She is into the dynamic between social and personal context. Her works usually perform by interactive devices or conceptual objects, use mechanic and irony way to convey a message.
展覽技術團隊 ART WAR COMPANY 負責⼈
Borned in 1980, Taipei. BA Fine Art, Taipei University of Fine Arts.
Owns the exhibition technology planning and implementation company Art War Company.
Inspired by the 90’s subcultures and Stanislavski's System. Sensibility is the first priority.
Currently living somewhere close to the shore, experiencing the nothingness of life, generating elements of visual and sound.
Dispersing sonic creations everywhere.
Is a musician, explorer of the universe of sounds. He is deeply rooted in the flowing impromptu performances and multicultural music traditions. Through the vehicle of sound and vibration he dives into primordial sensation, consciousness of nature, spirits, and space. Music is the language to manifest his universe. He tries to capture inspiration and timeless beauty from the ancient music tradition, in order to recreate sacred music in the contemporary context. He develops a borderless musical language that connects human, nature and the universe into harmony.
2019年開始以無輸入混音器(no-input mixing board)做噪音，有時喜歡harsh有時喜歡乾淨的聲音。
Gam Zuei, a bubble tea addict. He started to make noise and experimental sounds with no-input mixing board since 2019. Sometimes he likes to make harsh noise but other times he likes to make it crystal clear.
Influenced by Taiwanese noise veteran -Dino, Japanese noise, Musique concrète and many more, Gam Zuei hasn’t yet determine where sounds would lead him to. You can often find him in Senko Issha Record Store in Taipei.
2018年畢業於荷蘭Design Academy Eindhoven Master of Information，作品多為無意識的材料破壞、顏料潑灑、黏貼重組或再次翻拍致圖像扭曲變形，看似荒謬的行為，卻是不斷揣度美學框架的自問自答，她堅持不刻意擺設靜物，抱持單純的心情面對生活中所能遇到的物件，日復一日，誠實地以雙眼提問，下意識拍攝、剪開照片或伸出指頭戳入被拍攝體內。使用現成物、環氧樹脂、陶、動態影像、家用印表機、拼貼與摔了不知道幾次的Iphone 6X，來回於實體物件和平面影像中。拍攝靜物，也製作靜物。
In 2018, Ishtar Hsu received her Master’s degree in Information Design from the Design Academy Eindhoven (DAE) in the Netherlands. Her works are mostly unconscious material destruction, paint splashing, cut-and-paste recombination, or image distortion through re-photographing. The seemingly ridiculous behavior is, in fact, the form of self-questioning and self-answering for her to constantly challenge the traditional framework of aesthetics. Insisting on not deliberately setting up a still life, she encounters all things and objects in her life with the simplest thought. Day after day, she honestly asks questions with her eyes, shots with a subconscious mind, cuts the photos, or sticks her fingers inside the body of the objects photographed. The mobile phone and the scanner are Ishtar Hsu’s sketching pens. Instagram was initially used as a sketchbook collection practice. At present, Ishtar is a freelance graphic designer and also a visual artist, swinging between 3-D objects and 2-D images with various medias that include ready-made items, resin, pottery, moving images, a home printer, collages, and an iPhone 6X that has been dropped for many times.
Instagram: @ ishtarhsu